Winter review roundup #3: Through the Eyes of God, You, Always, Eureka Day and Witch

Don’t miss Anusree Roy’s follow-up to her first play, as well as a moving Erin Shields two-hander and a biting satire about a mumps outbreak

Winter review roundup #3: Through the Eyes of God, You, Always, Eureka Day and Witch
Gabriella Sundar Singh delivers a stunning performance in Anusree Roy’s Through the Eyes of God. Photo by Jae Yang

This particular slice of Toronto’s theatre calendar is shaping up to be one of the best of the 2025/26 season. Temperatures might be frigid, but artistic output is sizzling hot.

You won’t find Chaya, the central character of Anusree Roy’s astonishing new play Through the Eyes of God (Rating: ✭✭✭✭✭), complaining about the weather. She has way more important things to worry about.

✅ = Critic’s pick / ✭✭✭✭✭ = outstanding, among best of the year / ✭✭✭✭ = excellent / ✭✭✭ = recommended / ✭✭ or ✭ = didn’t work for me

At the beginning of the compact 45-minute solo drama, she’s been arrested by the Kolkata police for trying to steal a handful of rice to feed her daughter, Krishna. The girl, incidentally, is 11, the same age Chaya was when she gave birth to her.

A cop recognizes Chaya, who’s stolen rice before. But the young mother is a quick talker, and knows how to get out of tight situations. Through the “Police Madam” she discovers Krishna has been abducted from their slum and has likely been taken by a man named Babla, who disfigures his charges and trafficks them in Delhi.

And so begins a nightmarish journey that involves basic things like how to get money, purchase a train ticket (Chaya is illiterate) and locate a neighbourhood in a strange city to figuring out people’s motives. Everyone in this corrupt world seems to be on the take.